COMPOSITIONS
Solo
Lullaby III (2015) — 3'
for Organ
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Stairwell Music (2014) — 4'
for Saxophone in a highly reverberant space
Lullaby II (2013) — 3'
for Vibraphone
Harbinger (2012) — 7'
for Guitar
Juggling Act for Trombone (2010/2012) — 5'
for Tenor or Bass Trombone
Lullaby (2011) — 2.5'
for Piano
Monuments (2010) — 11.5'
for Piano
MUSE (2009) — 5'
for Percussion
Chamber
Flee, Pursue (2016) — 14'
for Clarinet in B-flat and Percussion
Variations for Brass Quintet (2013) — 10'
for two Trumpets in B-flat, Horn, Trombone, and Tuba
Musica derivata (2012) — 17'
for Saxophone Quartet
That's Entertainment? (2011/2012) — 2'
(Winner, Duo Fujin 2011 One-Day Composition Contest)
for Flute and Alto Saxophone
surge (2010) — 20'
Chamber Ballet
for Flute (doubling Piccolo), Clarinet in B-flat (doubling Bass Clarinet), Violin, Percussion, and Piano (doubling Synthesizer)
Choreography by M. Danielle Clark
Identities (2009) — 5'
for Flute (doubling Piccolo), Oboe (doubling English Horn), Trumpet in B-flat, Horn, and Baritone Saxophone
Three Episodes (2008) — 10'
for String Quartet
Suite for Clarinet and Piano (2007) — 3'
for B-flat Clarinet and Piano
Choral and Vocal
Fern Hill (2008) — 10'
for Baritone and Piano
Text by Dylan Thomas
The Shield of Achilles (2011) — 20'
for Soprano, Flute (doubling Piccolo), Clarinet in B-flat (doubling Bass Clarinet), Violin, Violoncello, and two Percussion
Text by W. H. Auden
What I Was For Years (2013) — 6.5'
for Twelve-Part Mixed Choir, two Percussion, and Piano
Text by Walt Whitman
Orchestra and Band
Declamation (2014–15) — 15'
for Orchestra
Densities (2009) — 9.5'
for Symphonic Wind Band
Electronic
Nocturne (forthcoming)
for Percussion and Interactive Electronics
Radio Play (2010) — 9'
Original title: Associations
for Stereophonic Playback