COMPOSITIONS

Solo

Lullaby III (2015) — 3'
for Organ

body {
  font-family: Arial, sans-serif;
  background: url(http://www.shukatsu-note.com/wp-content/uploads/2014/12/computer-564136_1280.jpg) no-repeat;
  background-size: cover;
  height: 100vh;
}

h1 {
  text-align: center;
  font-family: Tahoma, Arial, sans-serif;
  color: #06D85F;
  margin: 80px 0;
}

.box {
  width: 40%;
  margin: 0 auto;
  background: rgba(255,255,255,0.2);
  padding: 35px;
  border: 2px solid #fff;
  border-radius: 20px/50px;
  background-clip: padding-box;
  text-align: center;
}

.button {
  font-size: 1em;
  padding: 10px;
  color: #fff;
  border: 2px solid #06D85F;
  border-radius: 20px/50px;
  text-decoration: none;
  cursor: pointer;
  transition: all 0.3s ease-out;
}
.button:hover {
  background: #06D85F;
}

.overlay {
  position: fixed;
  top: 0;
  bottom: 0;
  left: 0;
  right: 0;
  background: rgba(0, 0, 0, 0.7);
  transition: opacity 500ms;
  visibility: hidden;
  opacity: 0;
}
.overlay:target {
  visibility: visible;
  opacity: 1;
}

.popup {
  margin: 70px auto;
  padding: 20px;
  background: #fff;
  border-radius: 5px;
  width: 30%;
  position: relative;
  transition: all 5s ease-in-out;
}

.popup h2 {
  margin-top: 0;
  color: #333;
  font-family: Tahoma, Arial, sans-serif;
}
.popup .close {
  position: absolute;
  top: 20px;
  right: 30px;
  transition: all 200ms;
  font-size: 30px;
  font-weight: bold;
  text-decoration: none;
  color: #333;
}
.popup .close:hover {
  color: #06D85F;
}
.popup .content {
  max-height: 30%;
  overflow: auto;
}

@media screen and (max-width: 700px){
  .box{
    width: 70%;
  }
  .popup{
    width: 70%;
  }
}
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Stairwell Music (2014) — 4'
for Saxophone in a highly reverberant space

Lullaby II (2013) — 3'
for Vibraphone

Harbinger (2012) — 7'
for Guitar

Juggling Act for Trombone (2010/2012) — 5'
for Tenor or Bass Trombone

Lullaby (2011) — 2.5'
for Piano

Monuments (2010) — 11.5'
for Piano

MUSE (2009) — 5'
for Percussion
 

Chamber

Flee, Pursue (2016) — 14'
for Clarinet in B-flat and Percussion

Variations for Brass Quintet (2013) — 10'
for two Trumpets in B-flat, Horn, Trombone, and Tuba

Musica derivata (2012) — 17'
for Saxophone Quartet

That's Entertainment? (2011/2012) — 2' 
(Winner, Duo Fujin 2011 One-Day Composition Contest)
for Flute and Alto Saxophone

surge (2010) — 20'
Chamber Ballet
for Flute (doubling Piccolo), Clarinet in B-flat (doubling Bass Clarinet), Violin, Percussion, and Piano (doubling Synthesizer)
Choreography by M. Danielle Clark

Identities (2009) — 5'
for Flute (doubling Piccolo), Oboe (doubling English Horn), Trumpet in B-flat, Horn, and Baritone Saxophone

Three Episodes (2008) — 10'
for String Quartet

Suite for Clarinet and Piano (2007) — 3'
for B-flat Clarinet and Piano
 

Choral and Vocal

Fern Hill (2008) — 10'
for Baritone and Piano
Text by Dylan Thomas

The Shield of Achilles (2011) — 20'
for Soprano, Flute (doubling Piccolo), Clarinet in B-flat (doubling Bass Clarinet), Violin, Violoncello, and two Percussion
Text by W. H. Auden

What I Was For Years (2013) — 6.5'
for Twelve-Part Mixed Choir, two Percussion, and Piano
Text by Walt Whitman
 

Orchestra and Band

Declamation (2014–15) — 15'
for Orchestra

Densities (2009) — 9.5'
for Symphonic Wind Band
 

Electronic

Nocturne (forthcoming)
for Percussion and Interactive Electronics

Radio Play (2010) — 9'
Original title: Associations
for Stereophonic Playback